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Sacred sake is prepared and prayers are offered to the god of the kiln before the fire is lit.

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For three to four days after firing, moisture is removed from the kiln by a process called dew firing, in which firewood is added only to the lower part of the kiln opening.

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Once the dew is done, add firewood to the upper level and gradually increase the amount.

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A look at a large fire. Firewood is added until the fire box is full.

Once it burns out, we have to throw it in again, and this process continues for about five hours.

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By the time the large fire is finished, the temperature in the first chamber will exceed 1,000 degrees.

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Although the inside seen through the peephole in the first room is red, it has not yet acquired a glossy finish.

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I started adding firewood to the first room and the temperature is 11, but it hasn't yet reached 100 degrees.

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Before the firewood burns out, the flames blow out along the walls of the kiln, raising the temperature.

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1st chamber baking time 5 hours

Baking finished without reaching the target temperature.

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As more firewood is added, flames will erupt from the gaps in the wall plaster.

The thermometer reads 1,100 degrees.

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The second chamber also had trouble raising the temperature, and the opening had to be repeatedly opened and closed.

It took four hours, and the temperature finally rose to 1,180 degrees.

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In the third room, the temperature rose to 1,225 degrees, but then the fire died down a bit and the temperature dropped.

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Once the glaze reaches a melting temperature, the inside of the piece can only be seen with the naked eye.

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In the third room, flames shoot out when you add firewood, so work is very difficult.

We finished adding the last of the firewood just before 9am.

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After waiting for the firewood to burn out, we close all holes except for the main opening, the fire openings in each room, and the chimney, and then cool the kiln.

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After turning off the fire, wait a week before removing the bricks by spraying them with water to prevent dust from forming.

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A coffee cup in which the green glaze around the rim has been reduced to a red color.

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The center has more straw ash glaze.

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There is a cream-colored band under the green glaze, a phenomenon I have never seen before.

Can we call this kiln change or is it something caused by the scum of the ash?

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The second room has been opened.

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This room is centered around coffee cups.

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The inner void is filled with a transparent ash glaze that melts easily.

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Brushed coffee cup

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A coffee plate in the shape of a petal and stamped with a cherry blossom motif

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Milk cup

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Individual plates inspired by snowflakes

The glaze is turquoise

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A small bowl with straw ash glaze layered over ash glaze

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A medium-sized plate with green glaze over straw ash glaze

The pottery studio also sells works, so please feel free to come and visit us.

Inkuyama Pottery Factory ■ Business hours: 9:00-17:00 Open all year round (no reservations required)
■649 Kunoji, Yazu-cho, Yazu-gun, Tottori Prefecture, 680-0451
■TEL: 0858-72-0278
■Email: inkyuuzan@if-n.ne.jp

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